Plot
P. T. Barnum and his troupe perform a show at the circus ("The
Greatest Show"). In a flashback to Barnum's childhood where he and his
father Philo, a tailor, work for the Hallett family, he becomes infatuated with
their daughter, Charity. Though Charity is being sent to finishing school,
Barnum reassures her they will not be separated. The two keep in touch through
letters until they meet again in adulthood ("A Million Dreams"),
eventually marrying and raising two daughters, Caroline and Helen, in New York
City ("A Million Dreams" reprise). They live a humble life; though
Charity is happy, Barnum dreams of more.
Barnum loses his job as a clerk at a shipping company after
the company goes bankrupt. Taking a risky bet, he takes out a large loan from a
bank, deceiving the bank into accepting his former employer's lost ships as
collateral. He uses this loan to buy Barnum's American Museum in downtown
Manhattan, an attraction showcasing various wax models. Initially, sales are
slow; on the suggestion of his children to showcase something
"alive", Barnum searches for "freaks" to serve as
performers for his museum ("Come Alive"). This attracts a large
audience despite protests and poor reviews, prompting Barnum to rename his
venture "Barnum's Circus".
Searching for ways to further his reputation amongst the
upper class, Barnum meets playwright Phillip Carlyle and convinces him to join
his venture ("The Other Side"). Carlyle is enchanted with Anne
Wheeler, an African-American trapeze artist, but he hides his feelings. During
a trip, Carlyle arranges for Barnum and his troupe to meet Queen Victoria.
Afterwards, Barnum meets Jenny Lind, a famed Swedish singer, whom he convinces
to perform in America, with him serving as her manager. Lind's first American
performance is a rousing success ("Never Enough"). While Barnum gains
favor with the aristocratic patrons, he begins to distance himself from his
original troupe, refusing to socialize with them. Dejected, they decide to
stand against their local harassers ("This Is Me").
Carlyle and Wheeler attend the theatre together one night,
only to run into Carlyle's parents, who insult Wheeler's lowly status, causing
her to leave. Carlyle chases her and tries to convince her that they can be
together, but she rejects him despite her feelings towards him ("Rewrite
the Stars"). As Barnum takes Lind on a US tour, Charity feels isolated
from her husband as she stays home with their daughters
("Tightrope"). While on tour, Lind begins falling in love with
Barnum, but when he refuses her advances, she calls off the tour and kisses him
at the end of her last show, which is photographed by the press ("Never
Enough" reprise). Barnum returns home to find his circus on fire, caused
by a fight between the protesters and the troupe. Carlyle, who had tried to
save Anne not knowing she had already escaped, is rescued by Barnum amid the
chaos but suffers severe burns. Most of the sets and props are destroyed. Word
of Lind's cancellation and Barnum's public intimacy also reaches New York,
resulting in his mansion being foreclosed upon and Charity taking Caroline and
Helen to her parents' home.
Depressed, Barnum retreats to a local bar, where his troupe
find him there and explain that their own mothers were ashamed of them, and how
unimpressed they are with him for giving up on them too, thinking that maybe he
is a fraud, which causes him to realize the circus was for his friends and
family rather than for himself. Meanwhile, the injured Carlyle wakes in a
hospital with Wheeler by his side and they share a kiss ("From Now
On").
Barnum leaves and finds his estranged wife, and they decide
to mend their relationship. Faced with the financial difficulty of rebuilding
the circus, the recovering Carlyle steps in, offering to use his earnings from
his share of the circus's profits to rebuild it under the condition of becoming
partners, which Barnum happily accepts. As rebuilding the circus in its
original location would be too expensive, Barnum rebuilds it as an open-air
tent circus by the docks. The revamped circus is a huge success, and Barnum
gives full control of the show to Carlyle so he can focus on his family ("The
Greatest Show" reprise).
The Greatest Showman cast :
·
Hugh Jackman as P. T. Barnum, an ambitious
showman and entrepreneur.
·
Ellis Rubin as Young P. T. Barnum
·
Ziv Zaifman provides Young P. T. Barnum's
singing voice.
·
Zac Efron as Phillip Carlyle, a playwright who
becomes Barnum's partner. His character is partly based on James Anthony
Bailey.
·
Michelle Williams as Charity Hallett-Barnum, the
wife of P.T. Barnum.
·
Skylar Dunn as Young Charity
·
Rebecca Ferguson as Jenny Lind, a famous Swedish
singer known as the "Swedish Nightingale".
·
Loren Allred provides Lind's singing
voice.[8][9]
·
Zendaya as Anne Wheeler, an acrobat, trapeze
artist, W.D.'s younger sister and Phillip Carlyle's love interest. Her
character is partly based on Ruth Louisa McCaddon.
·
Keala Settle as Lettie Lutz, a bearded lady. She
is a composite character partly based on Josephine Clofullia and Annie Jones.
·
Yahya Abdul-Mateen II as W. D. Wheeler, an
acrobat and Anne's brother.
·
Natasha Liu Bordizzo as Deng Yan, a Chinese
acrobat and blade-specialist.
·
Paul Sparks as James Gordon Bennett, the
founder, editor and publisher of the New York Herald.
·
Sam Humphrey as Charles Stratton, a dwarf
performer who is also known by his stage name, General Tom Thumb.
·
James Babson provides Stratton's speaking and
singing voice.
·
Austyn Johnson as Caroline Barnum, one of
Barnum's daughters.
·
Cameron Seely as Helen Barnum, one of Barnum's
daughters.
·
Eric Anderson as Mr. O'Malley, a former thief
whom Barnum employs at his circus to handle different tasks like manning the
front of the house, selling tickets, reading the reviews, fending off the
protestors, producing the posters and promotional materials, and distributing
the circus posters on everything.
·
Daniel Everidge as The Lord of Leeds, a
heavyweight man who is based on Teodulo Valenzuela.
·
Timothy Hughes as the Strongman, a man with
enhanced strength who is based on Angus MacAskill.
·
Shannon Holtzapffel as Prince Constantine, the
Tattooed Man who is based off George Costentenus.
·
Luciano Acuna Jr. as Walter, the Dog Boy who is
based off of Fedor Jeftichew.
·
Danial Son and Yusaku Komori as Chang and Eng
Bunker, the "Siamese Twins."
·
Jonathan Redavid as Frank Lentini, the
Three-Legged Man.
·
Nick Jantz as Jeff Harris, the Juggler.
·
Kenneth Chan as the Human Cannonball
·
Martha Nichols as Woman in Gold, a woman in gold
clothing with gold spots on her.
·
Jeremy Hudson as The Elephant-Skinned Man, a man
who is based off of Ralph Krooner. He was credited as "Dancer Oddity
#3."[10]
·
Taylor James as Blockhead, a man with facial
piercing that is based off of Melvin Burkhart. He is credited as "Dancing
Oddity #4."[10]
·
Chelsea Caso as Tattoo Lady, a woman covered in
tattoos who is based off of Nora Hildebrant. She is credited as "Dancing
Oddity #5."[10]
·
Caoife Coleman and Mishay Petronelli as the
Albino Twins. They were credited as "Dancer Oddity #6" and
"Dancer Oddity #7."
·
Khasan Brasilford as Albino Man, a white-haired
man in white clothes. He was credited as "Ensemble Dancer #1."[10]
·
Alex Wong as Oriental Man, a man dressed in an
oriental outfit. He was credited as "Ensemble Dancer #2."[10]
·
Julius Rubio as Golden Boy, a man in gold
clothing with gold spots on him. He was credited as "Ensemble Dancer
#2."[10]
·
Vincent-Oliver Noiseux as Devil Boy, a performer
with horns. He was credited as "Ensemble Dancer #4."[10]
·
Dean Walters and Jessica Castro as the Voodoo
Twins. They are credited as "Ensemble Dancer #5" and "Ensemble
Dancer" #6.[10]
·
Najla Gilam as Snake Dancer, a snake charmer who
is based off of Nala Damajanti. She was credited as "Ensemble Dancer
#7."[10]
·
Damian Young as Mr. Winthrop
·
Tina Benko as Mrs. Winthrop
·
Gayle Rankin as Queen Victoria.
·
Will Swenson as Philo Barnum, a tailor and the
father of P. T. Barnum.
·
Fredric Lehne as Benjamin Hallett, father of
Charity and abusive father-in-law of Barnum.
·
Kathryn Meisle as Hannah Hallett, mother of
Charity and mother-in-law of Barnum.
·
Shuler Hensley as Lead Protestor
·
James Andrew O'Connor as Fireman
Review :
Early in “The Greatest Showman,” P.T. Barnum, played with
gung-ho sincerity by Hugh Jackman, says he has long served up hokum, but now
wants to do more for his audience: “Just once I’d like to give them something
real.”
What fun is that?
Even after the long-running circus bearing his name closed
up shop this year, P.T. Barnum remains firmly lodged in the public imagination
because of his gift for blurring the line between truth and fiction. When he
presented the 161-year-old nurse of George Washington as a star attraction,
some of his audience knew she was phony, others did not, and then there were
those who did not care and went along for the ride. There’s pleasure in a good
fib (spoiler alert: Santa), as well as political advantage. When compared to
Barnum last year, Donald Trump responded: “We need P.T. Barnum, a little bit.”
“The Greatest Showman,” a montage sequence that occasionally
turns into a movie musical, steers clear of any contemporary resonance and
ignores meaty themes. The first-time director Michael Gracey achieves an
aggressively synthetic style through kinetic editing and tidy underdog stories,
but none of the true joy of pulling a fast one. It’s a standard-issue holiday
biopic, one that tells a story about a populist entertainer hungry for highbrow
respect, the joys of showbiz and the price of ambition. An amusement park
version of P.T. Barnum is fine, as far as that goes, but if you are going to
aim for family-friendly fun, you need to get the fun part right.
“Showman” has the ingredients of a splashy good time, since
it has the perfect star in Hugh Jackman, the most charismatic Broadway leading
man of his generation; and songs by Benj Pasek and Justin Paul, the acclaimed
duo behind the lyrics for last year’s hit movie “La La Land” (which won them
Oscars) and the music for the Broadway show “Dear Evan Hansen” (which won them
Tonys). But they are all awkward fits for this material. The songs, which shift
from defiant pop anthems to melodramatic ballads, do not evoke the circus, or
at least not the American version. Their soupy soulfulness belongs to Cirque du
Soleil more than Ringling Brothers. And while Mr. Jackman is a dashing presence
with an easy smile, his earnest performance could use a few knowing winks. The
script doesn’t do him any favors. Its first joke is a spit-take, and it doesn’t
get any wittier than that.
erima kasih atas rangkumanya kak~
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